کلیلە وشەکان
philharmonic society
high skill
school of playing the double bass
the first double bass players
professional musician
چۆنییەتی بەکارهێنانی سەرچاوە
پوختە
Materials of the history of the contrabass art dedicated to contrabass players from different countries - soloists, accompanists of groups of the world's largest symphony and opera orchestras, teachers - draw attention to a certain stereotype of factual and biographical data. They invariably testify that in the person of the best double bass players there has always been a connection between performance and pedagogy. At the same time, the direct influence of this connection on the process of developing the capabilities of the instrument, its ascent to an equal position among other members of symphonic and chamber ensembles is clearly traced.
سەرچاوەکان
Milushkin A. School of playing the contrabass. Part 2.M., 1962, -191 p.
Mostras K. Intonation on the violin. M., 1962, -153 p.
Raaben L. Life of remarkable violinists and cellists. I., 1969, -260 p.
Encyclopedic Dictionary of Music. M., 1966, -631 p.
Neueste Methode des Contrabassspiels von Franz Si-mandl. C. F. Schmidt, Heilbronn, Wien. I Theil, II Theil, -74 S.
Ташбаева Г. Ю., Дехканова С. Э. Роль и значение духовных ценностей как фактора возрождения национального самосознания узбекского народа //Высшая школа. – 2017. – №. 8. – С. 56-57.
Turgunov S. T. et al. Development of professional skills and competencies of teachers //Tashkent" Sano-standart". Tashkent. – 2012.
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Islamovich I. T. Democracy and youth: formation of democratic values //European science review. – 2019. – №. 5-6.
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Islomovich I. T. Academic profession and university in the context of modern institutional reforms. – 2021.
Ismoilov, Temurbek Islomovich (2020) "Special aspects of formation of youth’s life strategy," Scientific Bulletin of Namangan State University: Vol. 2 : Iss. 9 , Article 37. Available at: https://uzjournals.edu.uz/namdu/vol2/iss9/37